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 RINGS

ANTIQUE CAMEOS

 

Large  Agate Cameo Portrait of Marie Louise
Large honey coloured high profile agate cameo portrait of Marie Louise second wife of Napoleon Bonaparte  Emperor of France. Depicting her in a classical manner probably as Helen of Troy but with a crown decorated with Fleur de lys, symbol of France. 
The daughter of Francis II, Holy Roman Emperor (Francis I of Austria) and of his second wife, Maria Theresa of the Two Sicilies.On March 11, 1810, the 18-year-old archduchess married French Emperor Napoléon I by proxy, with a subsequent ceremony taking place in the chapel of the Louvre on 1 April 1810. The bride's father intended the marriage to strengthen links between the Austrian Empire and the First French Empire. Napoleon sought the validation and legitimation of his Empire by marrying a member of the House of Habsburg, one of the oldest ruling families of Europe. He also hoped to cement his position by fathering a legitimate heir.
 
Size: 55mmx35mm
 
Ref:CAM0035
 
 
 
Two colour agate Cameo
Large two coloured agate cameo. Probably Italian circa 1550. Battle of the seamonsters, after the ancient.
 
Size: 52mmx42mm
Ref: CAM 9814

 

 
 
Agate Cameo Carving Antinious
High relief white and grey agate cameo of Antinious, lover of Emperor Hadrian, 117-138 A.D. 
The Greek born Antinious travelled with the Emperor all round the Empire. In 130 A.D. Antonious was drowned, and inconsolable with grief, Hadrian had him declared a god and established the city Antinouspolis in his name.
Size: 21mmx18mm
Ref: CAM 9824

 

 
 

SOLD

Agate Cameo of a Wedded Couple
Large honey coloured agate cameo of a wedded couple, c.1600, in a silver gilt frame circa 1650
Size of cameo: 45mmx35mm
Ref: CAM 9818

In medieval Italy treasures of the Etruscans, Greeks and Romans began to appear in the ruins of ancient cities, jewellery set with carved gems, cameos and intaglios - an extraordinary craft nearly lost with the fall of the Roman Empire. These rare carved masterpieces entered and survived in the collections of The Vatican, European Nobles and Royals, but by the beginning of the 15th Century, supplies began to dry up. To meet the demand re-establishment of the ancient art began with the copying of ancient gems, only to become a reborn art-form with countless portraits of men of the age depicted as Zeus or Hercules and marriage portraits with bride and groom portrayed as Roman Emperor and Empress, or as Pluto and Prosepina.

 

Examples of similar marriage portraits can be seen in the collections of The Louvre, Paris, The Vatican, Rome, The British Museum, London, The Metropolitan Museum, New York. See also Ancient and Modern Jewels In The Collection Of Her Majesty The Queen, Kirsten Aschengreen Piacenti and John Boardman 2008. Pages: 116 – 119.

SOLD

 
 
 
Agate Cameo Portrait

 

Agate Cameo Portrait
16 century cameo portrait of the Roman Emperor Caracalla Italian c.1550. In high carat gold ring setting. The mount is circa 1800. Ref: CA03 
 
Agate Cameo Portrait of Youth Agate Cameo Portrait of Youth
16th century agate portrait of youth. Probably Italian c.1580.Later mount in high carat gold.
Ref: CA04
 
Agate Cameo Carving
Highly three dimensional carving of agate cameo. Probably Italian c. 1800
Ref: CA06
 
 
 
 

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©2008 Peter Szuhay